Ascent into Hell

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Little Henry, too, had a great notion of singing.
HISTORY OF THE FAIRCHILD FAMILY

I, too, at the mid-point, in a well-lit wood
Of second-rate purpose and mediocre success,
Explore in dreams the never-never of childhood,
Groping in daylight for the key of darkness;

Revisit, among the morning archipelagoes,
Tasmania, my receding childish island;
Unchanged my prehistoric flora grows
Within me, marsupial territories extend:

There is the land-locked valley and the river,
The Western Tiers make distance an emotion,
The gum trees roar in the gale, the poplars shiver
At twilight, the church pines imitate an ocean.

There, in the clear night, still I listen, waking
To a crunch of sulky wheels on the distant road;
The marsh of stars reflects a starry croaking;
I hear in the pillow the sobbing of my blood

As the panic of unknown footsteps marching nearer,
Till the door opens, the inner world of panic
Nightmares that woke me to unawakening terror
Birthward resume their still inscrutable traffic.

Memory no more the backward, solid continent,
From island to island of despairing dream
I follow the dwindling soul in its ascent;
The bayonets and the pickelhauben gleam

Among the leaves, as, in the poplar tree,
They find him hiding. With an axe he stands
Above the German soldiers, hopelessly
Chopping the fingers from the climbing hands.

Or, in the well-known house, a secret door
Opens on empty rooms from which a stair
Leads down to a grey, dusty corridor,
Room after room, ominous, still and bare.

He cannot turn back, a lurking horror beckons
Round the next corner, beyond each further door.
Sweating with nameless anguish then he wakens;
Finds the familiar walls blank as before.

Chased by wild bulls, his legs stick fast with terror.
He reaches the fence at last—the fence falls flat.
Choking, he runs, the trees he climbs will totter.
Or the cruel horns, like telescopes, shoot out.

At his fourth year the waking life turns inward.
Here on his Easter Island the stone faces
Rear meaningless monuments of hate and dread.
Dreamlike within the dream real names and places

Survive. His mother comforts him with her body
Against the nightmare of the lions and tigers.
Again he is standing in his father’s study
Lying about his lie, is whipped, and hears

His scream of outrage, valid to this day.
In bed, he fingers his stump of sex, invents
How he took off his clothes and ran away,
Slit up his belly with various instruments;

To brood on this was a deep abdominal joy
Still recognized as a feeling at the core
Of love—and the last genuine memory
Is singing “Jesus Loves Me”—then, no more!

Beyond is a lost country and in vain
I enter that mysterious territory.
Lit by faint hints of memory lies the plain
Where from its Null took shape this conscious I

Which backward scans the dark—But at my side
The unrecognized Other Voice speaks in my ear,
The voice of my fear, the voice of my unseen guide;
“Who are we, stranger? What are we doing here?”

And through the uncertain gloom, sudden I see
Beyond remembered time the imagined entry,
The enormous Birth-gate whispering, “per me,
per me si va tra la perduta gente.”

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